Teri maa ke shoes (street play)

Teri Maa ke Shoes

Anant Gaur

[The play has three characters which are constant throughout the play. They are the old man, a boy and a helmet man. In the play, one shoe symbolizes Kalyuga or the present generation and two shoes symbolize Satyuga or the older generations.]

Scene 1- (A Jungle scene- different animals roaming around)

[Stage divided in two parts by a white strip of cloth or chalk powder, with Satyug and Kalyug placards/standees on either side.]

Jingle -

(Udd udd baithi halwaiya dukaniya)-2

Hey rama

Udd udd baithi halwaiya dukaniya arrey

Barfi ke sab ras le liyo re pinjade wali muniya 

(Chalat musafir moh liyo re pinjade wali muniya)-2

[Random movements of animals in the performing area. The deer moves in, on the 

top of the line. A gunshot is heard. All the other animals scatter into the crowd. The deer squirms on the top of the line and dies.]

[Narrator enters, stands close to the deer.]

Narrator- To ek hiran maara gaya. Ab aap log soch rahe honge kyun?                                                             

pr sawaal yeh nahi hai ki woh kyun maara gaya? Sawaal toh yeh hai ki woh kahan maara gaya, Satyug me ya Kalyug me? Kyuki agar yeh Satyug me maara gaya hai toh zarur ye bhagwaan ki kisi pre-planned yojna ya neeti ke tehat mara gya hai. Aur yeh achhi baat hui. 

ya yeh Kalyug me maara gaya hai, aur iske marne par bhi koi bahut bada sa court case hona chahiye. Apne Salman Khan bhi inhi chakkron me lage hue hain. Aisa hi kuch Pata nahi

Khair hum ispar zyada baat nahi karenge kyuki yeh hamara mudda nahi hai. Hum toh bas thoda time le rahe the taaki hum apna setup ready kar sake aur apna play start kar sake.

Aajao bey(to the team), chal bey Hiran ho le(to the deer).

**************************

Scene 2-

[The narrator (as commander) calls in the company.]

Commander- CompanyAageeee badh! 

[Parade beats starts]

[company marches in backwards,taking its position]

Commander- Company Thamm!  Company! Apni position le!

[company people takes out one of their shoes and hold it in their hands]

Commander- hanji toh hamari naatya-mandali, pesh karti hai aapke saamne natak Teri Maa Ke Shoes 

[company throw their shoes at the commander]

Commander- Teri Maa ke shoes.

[jingle starts, two statues enter the circle, taking different positions during the jingle.]

Jingle-[ Are natak dekhho ,nattak nattak nattak nattak nattak

                         tum nattak dekho nattak nattak nattak nattak nattak

are nattak dekho aaj tumhe kuch baat bataye (hum gyaan nahi farmaaye)-2 

Bas jeena sikhlaaye  

Tera satyug satyug yaar kisi kaam ka nahi, 

mera kalyug awesome yaar chahe naam ka sahi 

O tera! Satyug satyug yaar kisi kaam ka nahi 

mera kalyug  awesome yaar chaahe naam ka sahi!

   

[Two people form a seat at the centre of the stage and one more seat is formed in one of the corners near the judges]

[A boy enters and continues the song]

Boy- [Are natak dekho natak natak natak natak natak

         tum natak dekho natak natak natak natak natak]- 2

[The boy collides with the helmet man and the transition takes place]

Boy-natak natak kanaat place kanat place.mori gate mori gate.ajaao aajao....

[His voice fades out]

**********************************

Scene-3

[cannaught place outer circle stup: two girls, a couple, a kinnar, an old man, helmet man and a beggar moving randomly in the performong area (in sync with the music beat).]

[Old man is looking at the girls roaming around and to the couple sitting beside him. He starts looking at the girl from bottom to top and realizes that he is a kinnar and shouts in a start. 

At the same time the boy tries to kiss the girl. irritated, the girl slaps that boy and leaves]

Old man-  Kyaaa kalyug aa gya hai !

Boy-    Kyaa Kaliyug uncle! kaliyug ki kya baat hai.. main bhi dekh rha tha apko. aap bhi koi sssssssatyug wale kaam nhi kr rhe the. 

Old man-   Humne kya kiya ..I was just looking around. Bhagwan ne aankhein di hain ..khoobsurti dekhne ke liye!

Boy-  Uncle! Aap dekho to khoobsurti....hum dekhe to kaliyug!

Old man- Zabaan ladata hai.tumhaari puri peedhi ki yehi problem hai, kuch kaho to zabaan ladane lag jaoge..sar pe chadh jaoge..

galat kaam kroge to sunoge hi

are tumhe sunnana kya..tumhe to dikha hi dete hai

*********************************

Scene-4

[The scene shows four characters: a mother, a daughter, a dead body, a boy. People sitting in the circle suddenly start crying loudly. Meanwhile, a dead body of a father is kept and the mother and her daughter are crying in grief. ]

[Son enters the scene with the helmet man who drops him off and leaves. The son glances over the dead body and starts typing in his mobile phone...]

Son-My DAD is DEAD!

Hash-tag, rest in peace pitajidotdot!

[He keeps his phone inside his pocket and then casually sits near his dads dead body and starts crying spontaneously, scaring both mother and daughter]

Mother - Beta ja pandit ji ko bula ke le aa!

Son- ji mummiji...

[The son stops suddenly remembering something]

Son- OH!

Chorus-( Its time for a selfie!)

[The son again takes out his phone and clicks a picture with the whole family]

Daughter-  Bhaiya! Yaha papa mar gaye hai aur aapko selfie kheechne ki padi hai! 

Son-  Kya choti! Status bhi tou update karna hai na! 

Chorus- oh!

[A transitory music plays and the old man and the boy again enter the scene]

Old-man - Dekha puttar ji ...ye hain tumhari peedhi..baap mar gya hai aur beta selfie kheench rha haiare hamare time pe bhi bête hote theshri Ram aur Shrawan kumar jaise..aur tum ..

yeh to chhodo

corruption kitna hai[corruption(chorus)]

aurmehngai[Mehengai(chorus)]

aur han rape aur molestation to had se jyada badh gyi hai..[Molestation(chorus)]

are Damini wala kissa bhool gye kya.. kitni daridrata se apmaan kiya us bachhi ka..

Boy - uncle! Damini ko to hum log bhi nahi bhoole hai ...par kya molestation sirf kaliyug me hi hota hai

 

Old man- han toh..?

Boy- toh yeh kya hai..?

*********************************

Scene-5

[ariel cheer haran- this scene contains 9 characters: shakuni, dushasan, draupadi, 5 pandav, krishna. A base formation takes place at the center . Simultaneously, a Chausar is formed in the right corner, with Pandavas sitting near the chausar eating popcorn!]

[Shakuni enters]

Shakuni- HahahaPau bara ..BhanjeDraupdi ko laaaaao(hahaha)

[Dushasana brings Draupadi in the center and makes her climb up the base formation.]

Dushasana- Aeeeeeee..DraupadiAb tumhara cheer Hamara hai!!!!!

[Two people hold a platform on which Dushasana sits and they lift it up. After this they start moving around the base platform with Dushasana undressing Drapadis saree]

Boy : Ishhhhhhhtooooop !

[everyone stops ]

Boy- toh Ye molestation nahi toh aur kya hai.. yahan itne saro logo ke beech, iss bechari ki saari utari ja rahi hai.. aur ye PAAncho PAApi yahan baith ke PAApcorn kha rhe hai Ye kyaa haiiss bechari ka yahan apmaan ho rha hai aur hum yahan umeed lagaye baithe hain ki kahin se koi saari aaegi

Draupadi- hello! (Krishna bhaiya)-2 ...aap kahan ho?

Krishna - Sorry! aaj main nahi aa paunga   I am busy !

Chorus-( Oh ooh)

Boy- oh behen ji ! koi bhaiya vaiya nahi ane wale yahan. Ye dekhiye ..ap sabko kahin se kisi ko koi saari ati dikh rhi hai ?

Chorus-(ahaan..)

Boy- Toh logically dekha jaye, to hum sabko pta hai ki saari to khatam honi hi hai.aur saari ke neeche kya ata hai

Chorus-( Peticoat)

Jingle-[ Tune bhari shabha me draupadi ka cheer haran karwaya 

               Tune shurpanakha ki chhati kaati ,naam naak dalwaya ..

              Tune sita ko ghar se uthwa , lanka me dahan karwaya ..

              Fir usi bechari ko jalwa ke kakh na paaya

              (tera satyug satyug yaar kisi kaam ka nahi

              mera kaliyug awesome yaar chahe naam ka sahi .)- 2]

Old man : Beta jingle vingle to thik hai ..par is se baat badal nahi jaegi..ye sab to us upar wale ki leela hai ye to sashtro ka likha hua hai..ab honi ko kon taal sakta haihum nahi maante tumhari koi baat 

Boy : Uncle aap aise nhi smjhoge. Main aapko apne sanvadata ke paas le chalta hun! Hello Deepak.. Deeeeepak.. awaaz aa rhi h aapko.. ae Deepak... ho ke gaye.!

***********************************

Scene-6

[Scenes contain 4 old generation people or budhijeevis, 4 new generation people sitting in the crowd, a reporter, a camera man.]

Reporter- jee Deepak mai sunn raha hun..  Deepak mai yahan Maakhipur gaon me maujood hun jahan pe aap seedha prasaran dekh rahe hai  yugo ki behes with Deepak Furiousiya, sirf aur sirf hamare channel pappa news par. Yahan satyug- kalyug me bahut badi behes chhidi hui hai, hamare sath yahan bahut saare budhijeevi maujood hai. Panditji, gaon ke sarpanch, aur mashhoor politician janki devi ji hai..Deepak yahan kuch younger generation ke darshak gan bhi maujood hain jo inn hastiyon se kuch sawaal krna chahte hain.. Jee haan aap bataiye..?

darshak1- Mai ek sawaal puchhna chahti hun, abhi kuch dino pehle jab hamari generation se yeh pucha gya ki vo ek rape victim se shaadi krenge ya nhi to zyadatar logon ka jawaab haan me aaya.. to mai issi bare me inki raaye chahti hun..

Reporter-  ji.. haan to.. aap log iss bare me kya kehna chahenge?

Panditji- arre nahi aise kese shaadi kar denge.. vo aurat pehle hi apavitra ho gyi hai, to hum kyu jaan ke zeher ki pariksha de.

Village women: sahi kah rahe hain.

darshak1- lekin isme uss bechari ki kya galti thi, ulta aap log pehle zamane me usko insaaf dilane ke bajaaye baat ko daba diya karte the.

Sarpanch-  han daba dete the, fir kya galat karte the. Aap batao ek bechari aurat, uske saath aisa kukaram ho gya, to kya vo saari umar uss lanchhan ke saath jeeti rahe, aap jante hai ese jeena kitna mushkil hota hai. Aur hum log iss baat ko daba ke uss bechari ko jeene ka, shaadi karane ka, ek  normal life jeene ka mauka dete hain.. to kya galat krte hai?

Village women: sahi kah rahe hain.

Reporter- ji.. ji.. aur yahan ek aur sawaal aa rha h..

Darshak2- lekin aap log shaadi ke baad konsa unhe jeene dete the.. agar ladki vidhwa ho jaye to uske saare baal mundwa dete hai, unhe kisi shubh karya me jaane nahi dete, koi shringaar krne nhi dete. Aur aap baat kar rahe hai jeene ke haq ki.. kya tab use jeene ka haq nhi h?

Panditji-  yeh to uske karmo me likha hai. 

Reporter- (excited) acha .. to aap kehna chahte hai ki yeh uski galti hai? nahi nahi aap ye keh rahe hain ki ye uski galti hai.

Jankidevi-  arre bhaisaab suniye.. kayde ke anusaar dekha jaye, agar yeh vidhwa aurte banengi thanegi, bahar jayengi, to logo ki buri nazar padegi aur yeh vidhwaye kisi ki beti, kisi ki maa, kisi khandan ki bahu hoti hai. Kya izzat rhe jayegi uske khandan ki. Aur agar buri nazar padegi to fir wahi hoga jo inhone pehle sawaal me pucha tha.

Village women: sahi kah rahe hain.

Reporter- ji.. ji.. ek aur sawaal aa rha hai!

Darshak3- ji ye jo purani peedi hai, vo aaj kal ki takneeko ko apnane me bhut pichhdi hui hai. Iss bare me kya kehna chahenge hamare mahanubhav?

[After a discussion]

Panditji- ji dekhiye, humne milke yeh tayy kiya hai ki yeh teesra sawaal hai, aur hum iska jawaab nahi denge kyuki teen tigaada kaam bigada.

Reporter-(confused) ji.. agla sawaal?

Darshak4- purani generation both zyaada dominating aur pressurizing hai, vo har cheez me zyaadti chahti hai... Engineering krlo, doctri krlo.. aur  bhi both sari cheezein hai. Par hum log fir bhi apne tareeke se unka khayaal rakhte hai, unki take care karte hai..

[Old man after listening to 4th question gets annoyed and rebukes...]

Old man- Ye bat to rehne hi do beta, nahi ye baat to rehne hi do take care krte ho, ehsaan krte ho take care krte ho to. Hain!!! Tum logo ko sari umar pala posa hai, pdhaya hai likhaya hai, is kaabil bnaya hai ki take care kr sako tab jakr take care kr rhe ho tum. Nhi kya galat keh rha hu btaiye ap log, btaiye. Uppr se inki pidhi bolti hai hum pressurising hain dominant hain, tum logo ke liye secure future, chenn ki zindagi chahte hai to kya koi gunaah krte hain. Zara zara si bato pe ye log ghar chhod dete hain, nahi to ma baap ko bahar nikal fekte hain. In logo ko sukoon chaiye, chik chik nahi nahi chaiye, ye anokhe paida huye hain na. Hum logo ko to shanti aur sukoon chaiye hi nahi tha. Hum logo ne to apne farz nibhaye hi nahi. Ek baar nahi sochte ye log ki kya beetegi budhe ma baap pr. Take care ki baat krte hain. Arrey hindu mythology mein saaf  likha hai, jab kalyug ne yudhisthir ke vanshaj raja parikshit se ane ki anumati mangi tab parikshit ne kalyug ko sirf maykhano, kotho aur kasayigharo me jane ki anumati di, aur vahan jahan bahut si daulat ho. Jo vajah bani parikshit ki maut ki. Ab aisi pidhi jiski shuruaat hi is tarah hui ho vo isse zyada aur kya kregi ji. Meri apni beti, jab bahut chhoti thi main apni cycle ke aage tokri mein bethakr use sair krane lekr jata tha. bahut khush hua krti thi vo bdi hui to pdha likhakr architect bnaya. aj vo itni bdi ho gyi ki apne akele baap ko kisi aur ke liye chhod ke chli gyi. Ek baar mudkr nahi dekha. Do saal se dekha tak nhi hai use. Kahan gyi take care, haan???? Tumhari pidhi nihayat hi self centred aur responsibilities se bhagne vali peedhi hai. Samjhe!!!

[Silence]

Village women: sahi kah rahe hain.

Reporter- dekhiye kukkuji.. aapke sath jo hua vo galat tha. Par ram- ravan ki raashi ek thi, Krishna-Kans ki raashi ek thi, Gandhi-Godse ki raashi ek thi.. Par unke karm alag alag the. Toh yeh koi vajah nhi hui puri peedi par ilzaam lagane ki. Chaliye yeh behes to chalti rahegi. Hum rukte hain ek chhote se break ke liye. This break is sponsored by jingle plus.

Jingle- [Vishnu ke the teen roop aur teeno hi balwaan,

             Parshuram the aur the kanha, aur the raja Ram.

             Adharm bada jab dharti pe tab Ram ne baan uthaya,

             Parshuram ne leke kulhaadi, paap ko jadd se mitaya,

             Murli baja, apraadh mitaane aaye Radhe Shyaam.

             Bolo ram ram ram ram ram ram ram

            Bolo ram ram ram ram ram ram ram]

[Three puppets enter the scene as three avatars of vishnu attaining complementing positions during the jingle.]

Narrator (addressing the puppets)- parshuram : ek Brahmin hote huye bhi jinhone adharmi rajaon ka vinaash kiya, hinsa ka raasta apnaya.

Shree Ram: ek ese raja, jinhone maryada purushottam hone ka pramaan diya, pr aapni niji zindagi ka tyaag krke 

Krishna: ek gwale, sarthi, aam admi hote huye bhi chalaki se saare niyam badal diye, yudh karwaya.. Kyuki samay ki wahi zarurat thi. Yeh saare avatar hume yahi batate hai ki samay ke sath badlaav hote hai, soch badalti , ichhayen badalti hai aur nyay karne ki neetiyaan bhi badalti hain.

Puppets: hum jaaye??

Narrator: nahi ruko (to puppets). aur agar samay ke anusar bhagwaan badal sakte hain, to hume bhi to haq hai change hone ka. Ab soch badli hai to uska acceptance bhi hona chahiye, par vo to hai nhi. Agar humpe bharosa nahi h to fir dekhlo.

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Scene-7 

[Mime scene: the three puppets start digging in their own different ways but not accepting each others way. scene moves forwrd in sync with upbeat music and action of the three puppets]

[Music starts, person A digging with hands and is satisfied. person B enters and start digging with a shovel]

[Music stops.]

 

Person A- arre ese nhi, ese hoga(to person B)

[Both start to dig again. Music stops.]

Person A- karo karo, apna hi nuksaan karoge!(leaves)

[Music starts]

[Person B continues digging and is satisfied, then person C enters and start digging with machine]

[Music stops.]

Person B- arre ese nahi, ese hoga(to person C)

[Music stops]

Person B- karo karo, apna hi nuksaan karoge!(leaves)

Person C- sabse zyaada munaafa mera, sabse kam time mera lga,sabse kam mehnat bhi meri. Aur fir bhi mai galat hun. Huhh!

[Scene changes back to conversation of old man and young boy]

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Scene-8

Old man- yeh masheene dikha ke kya sabit karna chahte ho. Tum sahi ho gye isse. Bas boht  ho gyi tumhari history, geography ki baaten. Arre hamare samay me aise aise mahapurush paida huye .. aise aise shurveer jinki aaj tak pooja hoti h!

Boy - Are to hamare paas bhi GandhiJi, Nelson Mandela , Abraham Lincoln,  Mother Teresa  hai jinhone bina shastra uthaye kitne mahaan kaam kiye haiaur aapke paas Arjuna hai toh hamare paas Abhinav bindra hai, Amitabh bachchan hai, Sachin Tendulkar h ..jinko ap bhi kam pasand nhi krte, uncle!aur vaise uncle aap kis yug ke hain, kab paida huye the aap. 1950?? tch... 1940?? to aap bhi konsa satyug ke hain.

[The old man gets frustrated]

Old man - Tum satyug-kaliyug ki tulna bhi kaise kar skte ho  tum pehle apna

lehzaa dekho pehleaur ye (pointing to his shoes) kya pehna hai tumne ek joota?pehle TUM JOOTA PEHNO.

[This scene comprises of four pairs which depict various issues. The pair comes one by one when the old man shouts tum joota pehno and then after each pair has gone the scene intensifies and a chaos is developed.]

[Pair 1 enters]

Girl - Papa main aj late ho jaungi thoda...Friend ki birthday party me jana hai

Father: tum kahin nhi jaa rhi .

Girl - par kyu papa bhaiya bhi to jaate hain hamesha.

Father - vo ladka haiaur tum faaltu ki behes mat karo TUM JOOTA PEHNO

(Meanwhile girl wears the banner of EQUALITY)

Old man- (increasing his aggression to another level) JOOTA PEHNO TUM..

[Pair 2 enters]

Girl- beeji, aashirwaas do! Aaj mera exam h..

Mother- jeeti rhe! Bhagwaan tenu safal kre!

(Girl SNEEZES)

Mother- oye! Rukk ja! Ethe aa.. kahin nhi jaa rahi tu.. 

Girl- par kyu beeji..?

Mother- oye chahe duniya fatt jaye tu kahin nhi jayegi..!

Girl (crying)- par..

Mother- khe dia na bas... behes mt kar TU JOOTA PEHEN...

(Girl wears the banner of SUPERSTITION)

Old man-(increasing the chaos to another level) PEHNO JOOTA...

[Pair 3 enters]

Grandfather- Re Chhori! Eb badi ho gayi re Tu... Ab thare byaah ke liye ladka 

Dhundna se!

Girl (shocked) - par bauji! Mai to abhi sirf 16 ki hun.. Abhi to mujhe boht padna hai, kuch bada krke dikhana hai!

Grandfather- chup kr re chhori! Koi padayi vadai nhi krni.. tu ghar ke kaam seekh ab!

Girl- par bauji! Yeh shaadi gair kanooni hogi!

Grandfather- re tu manne kanoon ka gyaan na de... TU TO JOOTA PEHEN..

(Girl wears the banner of CHILD MARRIAGE)

Old man-(higher level) JOOTA PEHNO!

[Pair 4 enters]

Customer- chotu! Zara ek chai dio..

Boy- jee!(studying while making tea)

Customer- abe yeh kya kitabo me laga hua hai! Pad likh ke kya kr lega tu..?

Boy (confidently) - sahib ji! Bada hoke iss dekh ka pradhanmantri banunga mai!

Customer (rebuking him) - abe tu ban gya pradhanmantri! Chai wale ka beta h... 

Chai hi bechega tu! Kaam kr apna.. aur pehle to TU JOOTA PEHEN!

(Boy wears the banner of CASTISM)

Old man-(shouting at the highest level)- JOOTA PEHNO TUM! PEHEN KYU NHI RAHE JOOTA!

Everyone- JOOTA PEHNO! (Building a commotion.)

Boy- bas kariye aap sab! Nahi pehna hume JOOTA... aap kyu hamari soch ko kuchal kar apni baat aage rakh rahe hai... Aakhir kya galti h iss ladki ki (Pointing towards the girl from scene1)

Girl1- (exclaiming about her banner) Iss yug me ab ladki- ladke ka bhed nahi kiya jaata, ab ladkiyaan ladkon ke barabar hain!

Boy-(continues...) aur yeh!

Girl2- Iss yug me ab andhavishwaas ki jagah gyaan ne le li hai. Jis cheez ka pramaan nahi, uska humko maan nahi!

Girl3- ab bal vivah ke khilaaf sakht kanoon ban gaye hai. Ab hum apni marzi se shaadi kr skte hai.

Boy1- Aaj ke samay me kisi ka kaam uski jaat nahi ban jaata. Aaj agar koi chahe to chaiwala bhi desh chala skta hai.

Boy-(continues...) aakhir kya galat khe rhe hai hum. Is yug me sab badal chuka hai jisse hamari zindagi ab behtar ho gyi hai, aap log iss cheez ko, iss sachai ko accept nhi krna chahte bas. Hum kuch aur nahi chahte , yeh chahte h ki aap hamari baat sunle bas..

Old man (realizing the truth but still not accepting) - oye ab aur. Jao tum jeete aur hum hare, tum sahi hum galat. Jao PHIR KABHI baat krenge, phir kabhinahi sunni tumhari  baat.

(Claps chants)

Jingle- [Phir kabhi..phir kabhi!

             Phir kabhi..phir kabhi!

             Chal pher badal kar yar , tu dil ke taar chhed, uss paar to chal tu.. phir kabhi!

             Yeh des na badla, roop na badla, dhoop na badli, chhaon to kar tu.. phir kabhi!

             Old man(sings)- insaan yeh tune kya khoya, bhagwaan ko khokar kya paya..?

            Group(answers)- yeh baat na rab ki khuda ki, is pal me hai ab ki yahan ki

            Chal haath utha, mera hath pakkad.

            zara baat to kar, mere saath to chalna.. phir kabhi... phir kabhi....

            Old man(sings)- bhagwaan ko khokar kya khoya, iss gyaan ko paakar kya paya..?

           Group- iss gyaan ki hi takneeko ne insaan ko chaand pahunchaya!

            Ab doorbhaash hai duniya ko kuch aur paas le aaya!

           Gar gyaan jo hota aur zara to socho kya kar jaate,

           (Insaan to kya h shayad uss bhagwan ko bhi paa jaate)- 3

(Similar formation of draupadi scene in the centre, with a man wearing banner of GENERATION GAP stands on the top)

(Song continues...)- Tere satyug ne na kaliyug ne har kaum dharma apnaya,

                               Ab sati nahi h naari ne haq barabari ka paaya

                               Sab parda-varda, bal-vivah ko khaak lagaya...

(Formation breaks and the man standing on the top falls in the centre.)

(Pause)

Man (sings) - tera satyug satyug yaar ab aayega nhi, iss kaliyug se behtar aur bhala Kuch payega nahi.

(Melody of the main jingle on xylophone)

(Silence breaks.. everyone randomly dancing)

[Oh! Tera satyug satyug yaar Kisi kam ka nahi!

Mera kalyug awesome yaar, chahe naam ka sahi!]-2

Boy- to uncle ji! Kuchh samjhe aap... Hum Na yeh khe rhe hai ki aap galat hai aur hum sahi, ya hum galat aur aap sahi! Hum to bas yeh khe rhe h ki yeh satyug kalyug ki baaten, yeh soch me antar mehez ek generation gap hai.. to kaliyug ko koste nahi, aur satyug ki duhayi nahi dete, aiye kuch baate krte h aur ek dusre ki soch ko apnate hain. Milkar, ek naya yug, ek behtar yug banate hai! to Kya bolte uncle ji..?

Old man- haan puttar ji! Sahi hai... Rafi to badiya hai hi, pr tumhara honey singh bhi kuch bura nhi hai!

[Both crossing the path, suddenly the helmet man hits old man and moves out]

Boy- abe o Teri....! Aap thik h uncle ji! Itne itne se hote nhi ki maa baap scooty pakda dete hai... Pta nhi kya kaliyug aa gya hai..

(The boy turns to old man and realises what he had said, and leaves swiftly.)

Old man (humming the song) tera satyug satyug yaar hummm hum  hummm

(Leaves, removing his one shoe depicting his acceptance of him as part of the same yug)...

Anant